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Fleur Harris is an illustrator, textile designer and colour aficionado. Bringing together both digital and analog techniques, Fleur loves to paint, draw, cut, paste, scan, edit, throw confetti, retouch, print, photocopy and scan again.
Fleur studied Fine arts before studying Visual Arts Education, and then moving into Illustration. She has worked for an impressive range of clients, including The National Gallery of Victoria, Vans, Typo, Cotton On, KW Doggett, Smiggle, Gillette, Monster Children Magazine and many more.
She has two Bengal cats, Frankie and Scout, who like to fish through buckets of textas and run away with them. Fleur too likes collecting bright and colourful things, and believes there isn't an art store or Two Dollar shop in Melbourne that hasn't been respectfully turned on it's head for the brightest of paints, glitters and rhinestones.
Name:
Fleur Harris.
Place of Birth:
Melbourne, Australia.
Currently Living in:
Melbourne, Australia.
Train, bus, bike, or other:
A bit of everything.
What's the most important object in your studio?
A little cardboard tiger from a Christmas cracker.
Paper or Plastic?
Paper.
If you could resurrect one no longer living person to have lunch with, knowing you will have to return them to the grave right after coffee, who would it be?
Dean Martin.
Preferred method of dealing with an encounter with an acquaintance whose name you can't remember.
I’ll let them know. No time for awkwardness!
Favourite client so far?
The National Gallery of Victoria.
Favourite imaginary client?
If Marrimekko and Ittala merged into one great big design house.
Coffee or tea?
Home: Espresso. Work: Peppermint tea. Out to lunch: Soy flat white.
What's your earliest drawing memory?
Getting in big trouble for drawing a scribbly border on every page of all the library books mum had borrowed for me.
How do you prefer to spend your mornings?
Cruising around in my dressing gown for as long as possible.
The Perch▾
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client.
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The Jacky Winter Group and SEA are members of the AOI and AOP respectively and abides by the required code of practice for artist agents.
